Posted on Mon, 2008-05-19 20:19
Passionate Eye
Suzanne Vega is a well-known singer songwriter, and many of her lyrics are - unsurprisingly - present in this book. But what makes this book more than a light-weight stocking filler is the lyrics' positioning adjacent to her poetry. Through this comparison it is possible to view Vega's treatment of similar subject matter in two forms - in some cases poetry from a teenage Suzanne Vega is printed right next to a recent song, showing evidence that she has returned to the same subjects over and over.
As well as being a fascinating historical artifact, this book contains some fantastic prose pieces - which demonstrate that if Vega was not musical she could have had a career as a novelist. An early extract from her diary, about a chance meeting with a stranger, puts me in mind of the writing of Raymond Carver.
If I have a gripe about this book, it's that there isn't enough in it. The song lyrics, while deserving of their place, are afforded way too much space.
Posted on Mon, 2008-03-31 12:10
Suitable Boy
I loved the book, but I think I would have loved it just as much if it was half the length.
Posted on Wed, 2008-03-05 13:37
Welsh Girl
It's not often that a book changes the way you think about something - especially something so familiar. Therefore, what Peter Ho Davies has done in "The Welsh Girl" is remarkable, especially considering it's a debut novel.
It's not easy to accommodate the cosy, patriotic view of war portrayed in a thousand Hollywood blockbusters alongside this more torrid account. There is no "Great Escape" heroism here - just scared prisoners, mere boys, branded by themselves and others as cowards for surrendering; convincing themselves they would have preferred death, but secretly knowing that (given the opportunity) they would do exactly the same again.
The multi-faceted plot - a young farmer's daughter, a German prisoner and a Jewish intelligence officer - is elegantly interwoven and never descends into a complicated quagmire.
There are many parallels between the different plot strands - for example, Esther is motherless, Karsten is fatherless (despite coming from the Fatherland, he ironically muses), and both blame these losses for their feeling adrift in life; both characters feel trapped, physically and metaphorically, and both try to deal with their respective confinements as best they can.
This is a BIG book, full of BIG themes, but at its heart it's a love story. It's even tempting to view the solypsistic rape scene as an allagory of the English rape of Wales - but I won't!
Posted on Wed, 2008-01-02 12:17
Grotesque
Challenging, infuriating, and very funny.
McGrath is a master of the unreliable narrator.
This reads like a short story, and as a result, the narration feels a bit claustrophobic when filled out to novel length. If there is one thing I would find fault with, it's that the unreliable narration means by the end I'm still not 100% sure I know what the hell has happened. I still have more questions than answers, and I've read it 4 times!
Posted on Thu, 2007-12-20 20:55
Cutting Room
I thought this started really well, but I found I got a bit bored as it went on. I did enjoy it, but I'm glad it wasn't any longer.
I liked the central idea of a auctioneer finding something interesting and turning amateur detective, but I struggled to believe in Rilke's motivation to carry on against the odds. If it was me I'd have given up, or just gone to the police!
Posted on Thu, 2007-12-20 20:50
E
Agreed!
It's like someone's taken a snapshot of everyday life in my workplace and slapped a book cover on it.
Posted on Thu, 2007-12-13 12:29
Where Did it All Go Right?
I agree with Avocatore about the diary bits, but this is a hugely enjoyable read. Collins comes across as a thoroughly likeable person.
Posted on Mon, 2007-11-12 15:48
Music and Silence
I think historical fiction IS for me. Will I still like it?
Posted on Thu, 2007-11-01 20:05
Relentless
"Struggling", to me, suggests the opposite of what you describe. What happens with those weighty tomes you get bogged down in for months (Don DeLillo, Thackery, et al). If a crap book only represents a brief period in my life then I count that as a blessing!
Posted on Sat, 2007-10-27 12:43
Mist in the Mirror
Just finished reading this book and, although it's very good, it's not a patch on "The Woman In Black". The trouble is, I can't work out WHY it's not as good.
The suspense and terror doesn't seem as immediate, which I think is because the action takes place over a longer period, and in numerous locations.
If anyone else has read this book and has an opinion to share, I'd be grateful.






Passionate Eye